“Music is mediator between spiritual and sensual life.” Ludwig van Beethoven
“Painting is a thundering conflict of different worlds, which in and out of the battle with one another are intended to create the new world, which is called the world of art. Each work arises technically in a way similar to that in which the cosmos arose – through catastrophes, which from the chaotic roaring of the instruments finally create a symphony, the music of the spheres. The creation of the work is the creation of worlds.” Wassily Kandinsky
Ah! If I could only make a painting that sounds like this song, I would retire my paint brushes forever! Like a good painting, listening to this song requires time and patience. It builds slowly, then at a certain point, it overwhelms and consumes. You lose yourself in spiritual, transcendent experience. The first part of the song is the sound of mankind's universal experience of pain, but then at the 8:17 mark, the bottom drops out, and you begin to float, you make the first hesitant steps at flying, at escaping, trying out your wings for the first time, fighting for joy, demanding entrance into heaven, the right to be dissolved into the universal void . . . only to begin again, born again, reincarnated. This song gives me the shivers and puts goosebumps on my skin. Today I want to write about music, art, and spirituality, while referencing two of its most famous practitioners, Ludwig van Beethoven and Wassily Kandinsky.
“Don't only practice your art, but force your way into its secrets; art deserves that, for it and knowledge can raise man to the Divine.” Ludwig van Beethoven
“Music is a higher revelation than all wisdom and philosophy. Music is the electrical soil in which the spirit lives, thinks and invents.” Ludwig van Beethoven
Music has always been an important part of my life. I may have been born with a crayon in my hand, but it was music that gave me the inspiration and courage to use it. I was born on December 16th, 1975. I share this birthday with my brothers Ludwig van Beethoven and Wassily Kandinsky. Like both of these artists, music is a big part of my life. When I paint, I always have music on – it allows me to loosen up, to more easily channel my primal-self, that deeper part of myself where I act more on instinct than intellect, where I can better pick up on unconscious inspiration.
“With few exceptions, music has been for some centuries the art which has devoted itself not to the reproduction of natural phenomena, but rather to the expression of the artist's soul, in musical sound.” Wassily Kandinsky
While it is more known that musicians have attempted to portray visual imagery through sound (both figuratively, as in Modest Mussorgsky's Pictures at an Exhibition and abstractly, as in Alexander Scriabin's synesthetic oeuvre), it is less well known that artists have pursued painting with an eye toward music. Wassily Kandinsky is one of these artists. But music is by nature abstract. How does one paint sound? What shape does it take? What color is it? Wassily Kandinsky was profoundly inspired by music, and it is thought he may have even experienced synesthesia, where a person gets their senses confused, and they literally can hear colors, or see sound. Kandinsky's synesthesia may have inspired him to create the first truly abstract works of art. In his book, Concerning the Spiritual in Art (1912), Kandinsky sets up a color theory in order to merge ideas of music and art, with an eye toward using art as path toward spiritual transcendence.
“Each color lives by its mysterious life.” Wassily Kandinsky
“Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.”
“The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with base notes, or dark lake with the treble.” Wassily Kandinsky
“The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural... The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.” Wassily Kandinsky
“The artist must train not only his eye but also his soul.” Wassily Kandinsky
Like Beethoven and Kandinsky, I believe in the power of music and art to elevate notions of spirituality in people, and like them, I often seek spiritual transcendence through my work and the work of others. Who can not listen to the fourth movement of Beethoven's 9th Symphony, the Ode to Joy and not get the feeling of spiritual transcendence!
Art is as a noble profession, a profession I want to protect from pop culture banality and commercial interests. These people are the real killers of art. It seems so strange that I have so much in common with Beethoven and Kandinsky, in terms of personality and a deep love of music. Of course we are all artists as well, but what is more fascinating is that we also share the same motivations for making art, and share a belief in the possibility of it being divinely inspired. Perhaps there is some truth to this whole astrology thing. The website thesecretlanguage.com claims to have collected and studied the life stories of 20,000 people over 40 years, and this is how they describe people born on December 16th: visionary, imaginative, guided, impractical, out-of-touch, and troubled. The website also has this to say:
Those born on December 16 are among the most imaginative people in the year. This is not to understate their physical side, however, which is highly developed and stakes out its claims on their personality as well. As a matter of fact, one of the major themes in the lives of December 16 people concerns transcending physical limitations of the body and reaching for the stars . . . December 16 people are not the easiest to live with. Emotional problems of all sorts plague them, usually as a result of their own complex nature. Those who live with them must be extraordinarily understanding and sensitive to their needs, not the very least of which may be a need for periodic solitude . . . Often December 16 people feel guided or even instructed by a higher power in whose service they find themselves. This power may be social, religious or universal in nature, but ultimately liberating for them. Through this association they are freed from their earthbound problems at least for a time . . . December 16 people are capable of feats requiring titanic energies. Once they are directed towards an inspiring but also realistic goal, there is little that can stop them from achieving far-reaching success in their work. Yet, they can be easily sidetracked and fall prey to all sorts of slights, real or imagined, annoyances and (to them) trivial problems involving other people’s feelings, to which they are not always the most sensitive. Living on what may or may not be a high spiritual plane or metaphysical cloud they can have trouble relating to those mere mortals busy with more mundane and petty considerations . . . Explosive reactions alternating with remoteness or indifference, manic periods followed by depressions, the highs of laughter and the depths of deep silence are all colors found on the December 16 palette. The most successful of those born on this day find expression for their high idealism and feelings through creative work, hobbies or social activities. Thus they are able to communicate with and touch their fellow human beings through shared interests.
Not exactly glowing reviews, especially the whole prone to mental illness and depression thing, but if I am honest with myself and my flaws, and I am, I have to admit this is very accurate. And this is where art comes in for me. Art (music, visual art, and writing) is not only a catharsis for me, it has allowed me to confront my flaws, and to hopefully work at getting beyond them. Art, then, is my path toward spiritual growth and transcendence. Art is my religion.
“Lend your ears to music, open your eyes to painting, and... stop thinking! Just ask yourself whether the work has enabled you to 'walk about' into a hitherto unknown world. If the answer is yes, what more do you want?” Wassily Kandinsky
If you enjoyed the live version of Blood Promise by Swans (recorded 1997) above, I hope you may enjoy the studio version below, released in 1994. It is a very different song, and short, about four minutes long. It is the kind of song I think I might like to fall in love to.